By: katherinegeenberg
I. 1993.
We travel to Jersey to visit Aunt Sue.
In her living room, I gape at a skeleton
picked clean by unseen vultures, a too-blue
sky. What's that? I ask, afraid. Georgia O’Keefe,
she says. It’s called "Pelvis Two." I stick out my
tongue. I am young but I know of the invisible
predator, of how the hungry can seduce.
I want to ask if "Pelvis One" shows birds
pecking at a body. It always starts
with a peck. But before I can,
Mom says, "Honey, come kiss me."
II. 2008.
The day ...
By: katherinegeenberg
trotting into the sprinkler spray, frightening sweetly
when you get wet—meet the whole god-damning summer
squall of me. I'll drip the paisley down your sides, swell
and simulacra you into a billboard fit to advertise my most
commercial cravings. You cannot thin yourself into un
-assuming. I see you for what you are: a fraud
who needs feeding from a trough bigger than this terminal
highway. Look, puppy, 90-Degree Jawline plucks women
from the street as he preens the brittlest leaves
from his garden bed. Say it with me: ...